I think this one may surprise some readers. While Tom Baker’s first adventure is certainly enjoyable, is it really more of a classic compared to stories like Remembrance of the Daleks or The Seeds of Doom?
It was certainly a bolt from the blue when first broadcast. Jon Pertwee had been Doctor for five seasons – at that point the longest any actor had portrayed the Timelord. After a lengthy period the BBC elected on the then unknown Baker to become the fourth Doctor. A shot in the dark perhaps, but Baker establishes himself as a tour de force within seconds of the episode beginning. It’s Baker’s debut more than anything else that makes a good story a great story. Whether the comic moments (including a memorable scene in which it takes the Doctor four goes to choose an appropriate outfit) to the sublime, it is an utter joy to see Baker establish himself in the role.
The story itself is relatively straightforward fare, and bears strong continuity marks to the Pertwee era – in this instance it’s a technocratic think tank with strong fascist tendencies that is using the titular Robot (or, as in the TARGET Novelisation, the ‘Giant Robot’) to perpetrate the crimes required to sieze control of the world. It’s not a very complicated plot by any means – in any other season it wouldn’t be a disappointing story, but nor would it be noteworthy.
Which brings us back to a simple premise – enjoyment. I thoroughly enjoyed Matt Smith’s debut story The Eleventh Hour – a combination of an enjoyable story with a likeable; crazy … yet brilliant Doctor. And Robot is very similar in my estimation. While Genesis of the Daleks will always be my first Baker adventure, and Logopolis will be forever tinged with the sadness of Baker leaving the role, Robot has all of the fun of a new beginning. Add into the mix Harry and Sarah as one of the best TARDIS crews ever, and you can see why this understated four parter is such an enjoyable and appreciated adventure!