38 – State of Decay

This was an adventure that really had to grow on me, but really has grown on me. Easily the best adventure of the E-Space trilogy in Tom Baker’s final season, it is also quite possibly the darkest and most sinister adventure to ever feature in the entire classic run. Perhaps that is why I enjoyed it better with age than as a young teenager – easily impressionable, there was something very unsettling about the Gothic horror of the villains of the story.

As readers of the Full Circle review will recall, the Doctor and Romana have managed to get trapped in an alternative universe, and are striving to work out how to return to N-Space. In this adventure they land on an earth like world, where the servile population live in a world were technology is forbidden, and three lords rule over them with an awe inspiring terror. The Doctor soon discovers that the planet is the resting place of the last great Vampire, a fearsome race that the Time Lords only just succeeded in defeating in a Great war. The three lords ruling over the planet, Zargo, Aukon and Camilla are in fact the original commanders of an earth colonist ship, sucked through a CVE like the TARDIS crew themselves, and transformed into vampires through the influence of the dormant Great Vampire. The population meanwhile are the descendants of the original colonists, shaped by generations of fear into cowed obedience.

That one paragraph gives you a pretty full flavour of how dark the story is. The incidental score and production decisions belie the shoestring budget the programme was on, and create a constantly unsettling feeling of tension and dread. In a demonstration of just how great his acting powers are, Tom Baker holds the audience enthralled as he searches the TARDIS databanks for records of the Great Vampire, and reads that any Time Lord finding the surviving vampire should do everything in their power to stop it, even forsaking their life. Shudder at your leisure …

State of Decay is a superb adventure in the best legacy of science fiction. Like all good Doctor Who it is well paced and engaging, even if some of the acting by the supporting cast occasionally veers towards Planet of the Spiders levels. Even the usually challenging Adric makes a worthwhile contribution to the story, albeit already beginning to display signs of the petulance that would make his character difficult to love. There is really only one qualification to this story, which is the dark and horrific themes throughout. Suitably prepared, you will definitely enjoy the story, but it’s not one for the kids (much like Image of the Fendahl) and perhaps best watched with the lights on …

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