I begin my top three Doctor Who adventures with a wonderful story that rounded off Jon Pertwee’s second season as the Doctor. It is a testament to the production team that they managed to work within the constraints of the Doctor’s enforced exile on Earth with such skill and creativity, and they saved the best in Season 8 until the very end.
To celebrate Doctor Who’s 54th anniversary, today we bring you a special three part blog remembering the genius of the Third Doctor, Jon Pertwee.
The closing story of Jon Pertwee’s debut season is one of the finest pieces of fiction ever produced, not only for the story concept, but also for the peerless delivery of a very clever idea. Parallel universes are not a new concept by any means, and in 2017 might almost be considered old hat. Inferno however is one of the very best examples of using a parallel universe to make a good story into a great story – and the amazing thing is, that if the BBC hadn’t been facing financial pressures, it might not have happened …
Quite often in Doctor Who’s history, episodes were used as a launchpad for a new audience; a refresher to what has gone before and an introduction to what is new: typically a new companion – a good example being The Time Meddler. These stories are a fantastic launchpad for fans new to the series – rather than going all the way back to An Unearthly Child (sensational though episode one is) there are several other brilliant entry points. The Time Warrior, the debut story in Jon Pertwee’s final season as the Doctor, very much fits into that mould.
And so we come to the top twenty! From this point on there is nothing but controversy – every story from this point on is utterly excellent, and almost impossible to choose between. And so it is with the first we come to – Jon Pertwee’s superb debut in Spearhead from Space. There is not a bad word to say about this story – and yet it is not in my top ten. As I have said in previous reviews, often a story has been given what seems a very low number for no other reason that the fantastic quality of Doctor Who as a whole.
I know several readers will be surprised to see this Jon Pertwee classic so high, above such notable classics as The Enemy of the World or Terror of the Zygons. This is less due to the challenge that you get with the best of Doctor Who (That it’s all brilliant, and it’s like being asked which of your children you like best …) and more due to the fact that it’s a bit, well, crazy! Bright, garish, and very much a product of the 1970s, I didn’t expect to enjoy this adventure at all, which is why I didn’t bother watching the VHS version my dad had recorded off UK Gold back in the early 90s.
Roundly pilloried for its ambitious use of CGI, The Green Death is one of the finest adventures to feature in the U.N.I.T era of Doctor Who, and in many ways marks the beginning of the end of that era. As with many of the Doctor’s adventures of that time, the focus is on an earthbound activity that has potentially catastrophic implications for the planet. Interestingly, this story is very akin to Season 7 finale Inferno, in that there is no alien menace in this adventure, only the ‘enemy’ of human greed and ambition.