Quite often in Doctor Who’s history, episodes were used as a launchpad for a new audience; a refresher to what has gone before and an introduction to what is new: typically a new companion – a good example being The Time Meddler. These stories are a fantastic launchpad for fans new to the series – rather than going all the way back to An Unearthly Child (sensational though episode one is) there are several other brilliant entry points. The Time Warrior, the debut story in Jon Pertwee’s final season as the Doctor, very much fits into that mould.
A lot of change was underway in the world of Doctor Who; there was a real sense that the U.N.I.T. family was being broken up. The Doctor had been freed to travel all of space and time in The Three Doctors; and in The Green Death long-term companion Jo Grant had left the series. The latter should not be underestimated – not since Frazer Hines three season stint as Jamie McCrimmon had one companion been on the show for so long. Rather more sadly, Roger Delgado, who had very much been the Moriarty to Pertwee’s Holmes, lost his life in a car accident while shooting location footage overseas. Change was afoot.
Fortuitously for the show, Pertwee was still up for one last hurrah, and long-term Doctor Who contributor Robert Holmes delivered up a sizzler of a script; one that would not only feature the debut of the infamous Sontarans, but also the introduction of the companion would who define what it meant to be a companion for generations to come: Sarah Jane Smith. The Time Warrior then, is what you get when you have a perfect collision of ingredients: great plot, great cast, great production, and some absolutely iconic moments.
Reason one for this story’s strength is the simplicity of the plot: the Doctor is summoned by the Brigadier after a series of high profile scientists disappear. Pursuing the latest kidnapped scientist to the medieval era, he discovers that a Sontaran commander, Linx, has crash-landed there, and is reliant upon the stolen scientists to help rebuild his spacecraft. In exchange for being sheltered, Linx is preparing ballistic weapons for the thuggish Irongron, a criminal who has seized a castle and now plans to conquer neighbouring lands. The Doctor’s seemingly simple mission is to rescue the scientists and stop Linx.
Reason two for the story’s strength is Sarah Jane Smith. Lis Sladen is utterly wonderful in the role; a confident journalist, unafraid to stand up to convention, she casually impersonates her aunt to gain entry to the compound of scientists, sneaks into the TARDIS to follow the Doctor, and proactively seeks to overcome anyone she believes guilty of harm or wrongdoing – even the Doctor himself! Beyond any doubt, Sarah’s debut is the best introduction story for any companion in the entire 50 plus year history of Doctor Who.
Finally, the story itself is a pleasure to watch. Linx makes for a wonderful villain; the revelation of his nature as a Sontaran warrior at the climax of episode one is one of Doctor Who’s most iconic cliffhangers. Pertwee displays all of the charm, ingenuity, and bravado that served him so well in his first four seasons, playing off wonderfully with every member of the cast. And the guest cast do not disappoint – Irongron is very much a pantomime bully, but you get caught up in it; and Professor Rubish provides some wonderful comic relief in the midst of proceedings, as the short-sighted and absent minded captured scientist who aides the Doctor.
If the story had a flaw, it would be that it is almost too simple. I prefer to see the simplicity of this tale not as a vice, but a shining virtue. This was one of the episodes that warmed me to Doctor Who in my very young years, sitting on the sofa while my dad was recording it on UK Gold. I have absolutely no doubt that it will continue to enchant many more generations for decades to come!
Next time: Back in 1984, the BBC foresaw how social media would impact politics, in Colin Baker’s finest hour.