The Doctor Who missing episodes brigade have been rumbling again following a series of tweets by Anneke Wills, in which she is photographed in the locations she appeared in 50 years ago as Polly in the currently missing Hartnell adventure The Smugglers:
As the eighth Doctor would remind us, “humans [are] always seeing patterns in things that aren’t there.” But nobody can quite resist the urge to speculate why these photos are appearing online, and being retweeted by a certain Philip Morris. In typical “looks like a dog, barks like a dog” fashion, fans are wondering if this is a very thinly veiled hint that The Smugglers is no longer missing, and is instead close to a release.
We ought to know well enough by now to treat the willful optimism of Doctor Who fans with all of the caution we can muster. I note the speculation, and don’t rule it out given that there have been rumblings for a long time that Web of Fear and Enemy of the World were not the only Doctor Who episodes recovered. But I don’t conclude that these tweets constitute definite proof that The Smugglers is back – I’ll only believe it when I see it.
What is fascinating is to speculate where the prints have come from, if indeed The Smugglers has been found in a salvageable condition. Working from the helpful guide on The Destruction of Time website, we can construct the following scenarios:
Scenario One: The Sierra Leone prints survived
As is documented in Wiped! it is documented that a near complete run of the Hartnell era, which included most of the currently missing Season 3, was destroyed during the civil wars in that country. It is assumed that these prints are definitely gone, and to be fair I think it unlikely that the prints somehow survived the conflict. It is an outside possibility, albeit extremely remote, that the prints were moved elsewhere before the conflict destroyed the film depot.
Scenario Two: The Zambia prints survived
As I commented on Monday, Philip Morris has previously led us to believe that he had searched Zambia and found nothing there. Let us suppose however that perhaps the prints were not still in Zambia, but instead had been moved on to another location, and that Morris succeeded in finding this location. Then we would be entertaining the prospect I spelt out yesterday – the only prints not in Zambia at some point were Mission to the Unknown, Dalek Master Plan, Tenth Planet, Power of the Daleks, Evil of the Daleks, Fury from the Deep, The Wheel in Space, and The Invasion. In short – if The Smugglers has come from surviving prints from Zambia, then the omnirumour is true.
Scenario Three: The Singapore prints survived
Just a little delving into the Singapore prints reveals some of the headaches involved. As BroaDWcast reveal, the Singapore prints came from and went to a variety of places, so it seems unlikely that they are sitting neatly in one place, in the style of Jos. The one cause for optimism is that if these prints were not sent back to London to be destroyed, and were not destroyed in Singapore, then there is hope that the entirety of these prints exists somewhere. If every story that was shown in Singapore is still around, that means the only story missing is The Dalek Master Plan.
Scenario Four: The Prints from Australia or New Zealand survived
This scenario has always been assumed to be as unlikely as the recovery of the Sierra Leone prints. Most of these prints made their way back to the UK and were destroyed, or else where destroyed in where they finally rested – most of the Australian prints being destroyed there, some of the New Zealand prints being sent on to Hong Kong and Singapore and then destroyed when used. Part of the evidence that backs this up is that the majority of surviving prints that were in Australia and New Zealand are orphans, not complete serials. For this scenario to be true, it follows that the majority of these prints have ended up with private collectors, or alternatively our fifth scenario:
Scenario Five: The ‘extra’ audition prints
You don’t need to spend long delving into the fates of Doctor Who’s overseas prints to see that it was far from straightforward – bicycling prints from one country to the next without adequate paperwork has made it a task akin to archaeology to work out how many prints there were, and where they finally ended up – which is precisely the task Philip Morris took up. The above assumptions assume we know of, and can account for, every print sent overseas. If, as this post explains, there was at least one additional set of audition prints doing the rounds, then all bets are off as to what content is back. We simply cannot know for sure what prints were included or excluded from that package.
If Philip Morris has indeed found The Smugglers it will give fans great cause for optimism. While the ideal would be a Jos style discovery of an entire collection of missing Doctor Who, even the survival of one lone story would give fans hope that other stories that were bicycled with it may also have survived.