I had joked before disappearing on a (relatively) internet-free holiday that there was bound to be some sort of animation/recovery announcement while I wasn’t around to hear about it. Sure enough, news broke last week that the BBC are preparing a new animated release of the incomplete Tom Baker adventure Shada, the story originally scheduled to conclude Season 17, and cancelled due to industrial action.
Back in 1984, Doctor Who foresaw Twitter. No, seriously.
Without a doubt the highlight of the Colin Baker era, Vengeance on Varos is a wonderful critique on the way media and individuals treat political officials. When the TARDIS runs short of a mineral vital to its function (more on this later) the Doctor and Peri are forced to travel to the planet Varos to procure the mineral, Zeiton-7. A supposedly improvrised planet, the planet is governed by an elite who are content to keep the planet enslaved, in exchange for selling the mineral at a marked down price to the Galatron Mining Corporation, led by the insidious Mentor, Sil. The figurehead of this elite is the Governor, a man who in reality has little power because all inhabitants are required to vote on his performance, and the penalty for his inevitable failure to meet their demands is potentially lethal Human Cell Disintegration Bombardment.
Ladies and gentleman – a break from my focus on classic (and missing Doctor Who) to comment on the social media breaking news that Broadchurch actor Jodie Whittaker is to become the first female incarnation of Doctor Who.
Quite often in Doctor Who’s history, episodes were used as a launchpad for a new audience; a refresher to what has gone before and an introduction to what is new: typically a new companion – a good example being The Time Meddler. These stories are a fantastic launchpad for fans new to the series – rather than going all the way back to An Unearthly Child (sensational though episode one is) there are several other brilliant entry points. The Time Warrior, the debut story in Jon Pertwee’s final season as the Doctor, very much fits into that mould.
We have covered in other reviews the stories that comprised Doctor Who’s 20th season. Resolved to celebrate the series’ history, producer John Nathan Turner brought back a returning nemesis for each adventure. In the middle of the season was a loosely linked trilogy featuring the Black Guardian, last seen swearing painful death to the Doctor in The Armageddon Factor. This powerful being, the embodiment of darkness, chaos, and destruction, finally succeeded in tracking the Doctor down, and decided to enlist a helper to aid his cause.
Before venturing into this post, I must warn that this article contains SPOILERS about the end of Series 10 of Doctor Who. While I am fairly confident what I am about to comment is widely known, this is your last chance to look away now if you are still to watch The Doctor Falls.
As covered in last week’s blog, Doctor Who was headed towards an uncertain future in 1969. The show’s popularity had been waning over time, and lead actor Patrick Troughton was giving firm indications that he had little desire to stay on board for a fourth season as the Doctor. Into this mix, the decision was taken to trial a style of adventure that was to shape the next five seasons of Doctor Who; an adventure set not in the far reaches of space, the past, or the future, but on contemporary earth.