My final case for animating the remainder of the missing episodes of Doctor Who takes a different approach to the first two arguments, by focusing on a story that is missing all but one of its episodes – The Abominable Snowmen.
This serial belongs to a select group, which includes Galaxy 4, The Daleks’ Master Plan, The Celestial Toymaker, The Faceless Ones, The Evil of the Daleks, The Wheel in Space, and The Space Pirates. All of these stories have the majority of their episodes missing, and most have only one surviving episode. The phrase ‘orphaned episode’ is most pertinent to this group of stories, where we are able to enjoy a painfully tantalising glimpse of what the full story was like, but the episode is sadly separated from the rest of their family.
In my first two arguments, I sought to demonstrate that you could still recreate the lost episodes to an enjoyable standard even if absolutely no surviving material remained – indeed you could either create a palette that could be reused in other episodes, or use motion capture techniques and physical actors to launch a whole new set of animations. In a strange way, these stories are easier to cater for, because you can hold a steady design standard the whole way through the episode, and it only need remain consistent to the standard the animation team chooses.
The orphaned episodes present a much bigger challenge, because the animators need to account for the inclusion of surviving material, and do so in such a way that it does not jar or seem inconsistent when the action switches to the original 1960s production. This has been an issue in reverse for certain animations released to date – The Reign of Terror for instance felt significantly less smooth compared to The Invasion.
I would contest however that it is precisely that challenge which makes the orphaned episodes a prime candidate for a new wave of animations. If a new animation team can successfully devise an animation style which allows the viewers to enjoy the surviving material without it ‘jarring’ against the style of the animated episodes, it would in turn give the fans confidence that a wholly animated missing story would be worth buying. Let us also embrace the fact that the alternative would be to completely animate these stories, with the orphaned episodes included (at best) as an option instead of the animated version of the episode, or (at worst) a DVD extra. In short, its worth doing.
But why then choose The Abominable Snowman over some of the other stories – perhaps most especially the epic 12 parter that it is The Daleks Master Plan? There are strong arguments in favour of Master Plan – not least that it at least retains 3 full episodes, a full 25% of the story. Against that is that the amount of animation required is colossal and very large for a first project, and that (as I opined in my piece on The Smugglers) it would have to be bundled with the also entirely missing single episode of Mission to the Unknown. Strong candidate though it would be, Master Plan is too large a step for a measure intended to prove this technique is viable.
My choice in essence comes down to two factors – personal taste, and recent enthusiasm. The personal taste stems from the fact that although Evil of the Daleks is the story I would most love to see recovered, I thoroughly enjoyed reading the Target Novelisation of The Abominable Snowmen, and would greatly like to see it released too. The added advantage is that one would be able to watch the first five stories of Season 5 in continuous sequence, and that at 6 episodes rather than 7, it is an easier prospect to animate. As regards my allusions to recent enthusiasm – this is a not very subtle reference to both the recovery of The Web of Fear and the return of the Great Intelligence into recent series of Doctor Who. Both mean that there would be substantial interest in the Great Intelligence debut story – and it might also provide an excuse to re-release The Web of Fear with episode 3 properly animated.
Of all the orphaned episodes, it seems most evident that The Abominable Snowman is the best option to demonstrate that substantial animation can sit alongside solitary episodes without disruption the viewing experience. This would be a bold strategy – but I think it would pay off!