Roundly pilloried for its ambitious use of CGI, The Green Death is one of the finest adventures to feature in the U.N.I.T era of Doctor Who, and in many ways marks the beginning of the end of that era. As with many of the Doctor’s adventures of that time, the focus is on an earthbound activity that has potentially catastrophic implications for the planet. Interestingly, this story is very akin to Season 7 finale Inferno, in that there is no alien menace in this adventure, only the ‘enemy’ of human greed and ambition.
I must begin this review with a frank admission. My original list of classic Doctor Who episodes did not contain either The Web of Fear nor The Enemy of the World, which in the summer of 2013 were still (officially) missing, presumed lost forever. To my very great shame, I concede that not only was The Enemy of the World not high on the list of stories I wanted recovered, I was distinctly underwhelmed when it was announced as one of two lost adventures recovered by Philip Morris in Nigeria. It had simply never registered on my radar.
Nevertheless, I bought the DVD as soon as it came out, wanting to enjoy the same experience that my dad must have enjoyed in 1993 when he bought Tomb of the Cybermen on VHS. I didn’t have high expectations, but was utterly blown away by an acting masterclass from Patrick Troughton, playing not one but two roles in this action packed adventure.
The story itself is entirely straightforward – the TARDIS crew arrive in Australia 2068, only to be attacked by armed security men. Rescued by the glamorous all-action Astrid, they discover that the Doctor strongly resembles Ramon Salamander, prominent leader in the United Zones, and a man determined to seize control of the world. They are reluctantly draw into a scheme to discover how Salamander proposes to take control of the earth, along the way encountering spies, assassinations, blackmail, and a hidden scheme to terrorise the world into submission. Not only must the Doctor stop Salamander, he must discover for himself whom he can, and cannot trust…
Astonishingly, the story plays out beautifully across six episodes, never once dragging, and filled with a stellar supporting cast. Whether it is the ingenious Astrid, the devious Zone Administrator Giles Kent, the gruff Security Chief Donald Bruce, the weaselly Bennick, or even the minor characters like Fariah, Denes, and Fedorin, The Enemy of the World has a richness of thoroughly enjoyable characters, each superbly realised. Even Victoria gets to play a more proactive role compared to her usual task of getting into trouble and screaming – perhaps reflecting that this story is rather unique in Season 5. Rather than being a base-under-siege adventure featuring a ‘Monster of the week’, The Enemy of the World is much more akin to a spy thriller.
But the standout feature of this adventure is the unbelievable performances by Patrick Troughton. Prior to watching this adventure I’d never really understood why certain fans were so enthusiastic about him. Over the two and a half hours of watching this adventure that all changed. Troughton displays the full range of his acting ability in this story, and is delightfully evil in his portrayal of the villainous Salamander. Adding value to every scene he appears in, it is worth having the story just for his performance alone. That the story also happens to be gripping and superbly acted is a wonderful bonus!
One cannot conclude this review however without appreciating that but for Philip Morris reaching the TV station in Jos, we wouldn’t be able to talk about these performances. I had observed in an earlier blog that you cannot judge a missing story by its orphaned episode. This is certainly true of The Enemy of the World. It was not a story anyone would have wanted back ahead of the Cybermen or Dalek adventures. It would have been very difficult to have animated the story and captured the charm of it. And yet it is one of the very best examples of Doctor Who you can enjoy on DVD today. One can only ponder what other adventures might earn a more favourable impression if only they could be recovered!
The Enemy of the World is well worth investing in – and you can purchase it on Amazon for £7.99
Next Time: The poor Brigadier is reduced to shooting at maggots in Wales …
I was six years old when I discovered Doctor Who. Like most six year olds who discover Doctor Who, my first thought after discovering there were MORE stories was to want to see every possible Dalek adventure. So when I saw that the Day of the Daleks VHS cover was plastered with Daleks, I simply had to see it! I recall being disappointed at the time at how little the titular Daleks featured in the adventure, but still really enjoying the adventure. 25 years on, it’s still a firm favourite with many reasons to enjoy this four part story.
To begin with, despite the name, this isn’t really a Dalek story. Author Louis Marks originally wrote the story imagining a completely different alien race as the foe, before the BBC publicity machine had the great idea to bring back the Daleks to arouse interest in the brand new Season 9. While the Daleks have a disappointingly short amount of screen time, this is more than compensated by the quality of the story itself.
Still trapped on earth, the Doctor is summoned by the Brigadier to Auderly House, home to top British diplomat Sir Reginald Styles. The world is on the brink of a nuclear war, and Styles has been disturbed by an unusual armed apparition, who attempted to murder him before vanishing into thin air. While Styles jets off to try and arrange a peace summit, the Doctor discovers that the apparition was a guerrilla from earth’s future, sent in the belief that Styles caused a nuclear war that left Earth devastated, and unable to repel a Dalek invasion.
The story rises to a thrilling climax as the Doctor and Jo are transported into earth’s future to discover mankind living in slavery. Meeting with the guerrillas they realise that the war began due to a bomb blast as Sir Reginald’s peace summit – but that the bomb was detonated by one of the guerrillas! The Doctor is forced to race the Daleks back to the 1970s to save the peace conference, and prevent a global catastrophe.
The plot is stunning in its simplicity and its brilliance, exploring creatively the classic time travel paradox of past actions impacting the future. Not only do the regular cast put in a superb turn, they are complemented by outstanding performances by the guest cast also. If one ignores the Dalek focus, the story works exceedingly well – it’s a bad “Dalek” story, but superb science fiction.
There is however one but. The story was rather let down by some production decisions – not least the poor quality of the Dalek voices. You do have to get past that – or embrace a crazy alternative option. The BBC Restoration Team took the unusual step when preparing the DVD to create a Special Edition of the story, replacing the Dalek voices and improving many of the special effects. The results were so good that this story could pass muster in contemporary Doctor Who – and that is high praise indeed! I know fans are very much divided on changing anything about the original stories; Day of the Daleks is unusual for the near universal praise for the Special Edition. It is very much worth the price of the DVD.
Next time: You resemble very closely a man determined to be dictator of the world …
It has been a while since my last post on missing episodes, principally because there has been little by way of substantive rumour to report. Earlier this year there were rumblings that a number of William Hartnell episodes from Season 3 had been recovered, but nothing more substantive than rumour, and absolutely nothing relating to the supposed activities (or lack thereof) of Philip Morris.
Indeed, while there has been a lot of speculation about an event on 27th May put on by Fantom Films celebrating Doctor Who’s lost episodes, there has been a surprising lack of the sort of concrete rumour that ought to precede a pre-event announcement of more found episodes. Despite that, the guest list, which includes Mr Morris among other notables, has led sections of Doctor Who’s fans to conclude that there must be something happening; whether it is the presence of William Russell and Waris Hussein leading to speculation that Marco Polo must be recovered, to Deborah Watling’s presence being a sign that Evil of the Daleks is at least about to be animated, if not actually released as a full recovery.
Which means that this photo, posted on to the Facebook page of Philip Morris’s archive organisation Television International Enterprises Archives (T.I.E.A.) was inevitably going to raise eyebrows:
Shrewd observers will have already spotted similarities between the photo above, and the picture Philip Morris shared on the Doctor Who Missing Episodes Facebook Discussion Group of the complete Web of Fear in Jos. The similarities are of course giving rise to one obvious question: “What is in the film cans?”
Long term readers of this blog will know that I am convinced more material has been recovered, and also what material I think has been recovered. Rather than revisit that speculation, I will venture my own thoughts on whether the Fantom Film event is the precursor to a full or partial revelation of what missing Doctor Who Philip Morris has recovered.
I think in the very least we are about to get new information. Posting such a tantalising image as the one above could only ever have one impact on Doctor Who fans – to prompt renewed speculation. I firmly believe one does not knowingly enter a lions’ den having taken away the lions’ dinner! I therefore think that Philip Morris is in the position to share at least some new information, almost certainly related in some way to the posted photograph.
Secondly, if it is true that there is new information being shared, I think it is also possible that we will soon find out the results of his search. To date Morris has been exceedingly discreet regarding his search, emphasising that too much publicity makes it harder for him to track down material, and puts existing material at risk. There has also been speculation that regular teases on social media are Phil’s way of trying to get around Non Disclosure Agreements which prohibit him from revealing which commercially sensitive content he has returned to the BBC.
I do also think however that we won’t find out everything. I have previously speculated that the return of The Enemy of the World and The Web of Fear may have been influenced by these two stories proving a relatively isolated part of his overall search. Let’s assume that for each companion attending the event we have one returned story – say Marco Polo for William Russell, The Savages for Peter Purves, and The Abominable Snowmen for Deborah Watling. It may be that these stories also came from one small isolated station, allowing Morris to hold back from revealing if he had found anything else.
To put it another way: if there is not a conclusive statement on the search, we can presume that there is more material in the pipeline – either that Morris is still meticulously tracking down, or that he has tracked down and is seeking to repatriate to the BBC, or that is caught up in BBC negotiations. Conversely, a “that’s it” statement from Phil probably does mean the end of any hopes that the Doctor Who back catalogue survives somewhere in Africa …
That said, we should pay attention to whatever Paul Venezis has to say. Philip Morris has not been the only person tracking down material, and Paul Venezis has been one of the key men for co-ordinating the return of missing material from all sources, of which Phil’s worldwide hunt is just one. He is notoriously adept at using denials and carefully worded replies to give misleading impressions – saying for example “The entirety of Season 5 has not been found in Africa” while being aware that Enemy of the World and Web of Fear had been recovered – truthful, but not completely truthful! But if we are approaching the end game of Phil’s search, perhaps he will be more chatty.
That’s my realistic appraisal. I now hope that readers will forgive me if I indulge in a little daydreaming! Let’s suppose that somehow, incredibly, the BBC succeeded in keeping the biggest possible secret completely secret – a mass recovery of missing Doctor Who (ie. more than forty episodes, at least four completely recovered stories). I am inclined to agree with comments I have read elsewhere that the BBC would not permit an external organisation to claim the publicity benefit of such a major news story, so such an announcement would certainly not be made on the day.
Let’s suppose that there is a mass recovery announcement to be made – I rather suspect that the release of the animated Power of the Daleks gives us some indication what this might look like in practice. Assuming that they can control the news agenda (both Power of the Daleks and the Web/Enemy releases were plagued by pre-release leaks) then there will be a BBC press conference held before the Fantom event, not later (most probably) than Wednesday 24th. It is highly improbable that they will announce the release of every recovered episode – let’s face it, if all 96 episodes were recovered and released instantly, the likes of The Space Pirates would never sell in good numbers!
What is more likely is that they will repeat some of the promotional tricks used in Power of the Daleks – that is, a special incentive for fans to buy a complete story in advance; perhaps a discount for buying multiple adventures. The release of the story in a daily episodic format seemed to be extremely popular, and I could see that being repeated – it gained a massive amount of social media publicity and that would only increase for an actual episode recovery.
The trick question however would be which episode or episodes to release, assuming that the BBC have choice? Given that it has been rumoured for so long, and given the attendance of William Russell and Waris Hussein, I’d be amazed if Marco Polo is not a prime candidate for the first tranche of releases. We would then need to consider how the BBC would handle the recovery of multiple stories; would they perhaps release them in tranches of two or three stories at a time? Given that the BBC typically aimed to release one classic Doctor Who DVD per month, one presumes they could release the 20 missing adventures within two years if they so wished, and faster if the delay has been partially due to taking the time to restore the material.
My instinct is that the BBC would announce which stories they had recovered, and confirm which stories would be available ‘immediately.’ I think three is the absolute maximum they could release on BBC Store, which brings us neatly back to three confirmed companions – Ian (most probably Marco Polo), Steven (something from Season 3) and Victoria (most probably The Abominable Snowmen).
So I will finish with my wishful thinking prophecy: that even as we speak, BBC staff are making preparations to load Marco Polo, The Savages, and The Abominable Snowmen on to the BBC Store, ready to download at an episode per day. And if my unending optimism proves right, these downloads are only a taste of what may then follow!
As ever … all this is speculation. I am joining thousands of other Doctor Who fans in hoping that on this occasion, the speculation proves accurate!
In Season 20 the Doctor Who production team decided that the Doctor would face off against a returning foe in each adventure, originally intending that the season would conclude with an adventure entitled “The Return” – which was delayed until Season 21 as Resurrection of the Daleks, leaving viewers instead with the lamentable King’s Demons as an unworthy substitute! While the season opened with the return of Omega in Arc of Infinity, and the Mara in Snakedance, the season’s three middle stories were covered by a loose trilogy featuring the Black Guardian, last seen cursing the Fourth Doctor in The Armageddon Factor.
This loose trilogy comes to a close in Englightenment, a spooky and exceedingly clever adventure seemingly set aboard an Edwardian sailing vessel, revealed at the end of episode one to in fact be a sophisticated spaceship, racing through space itself. At the head of the ship are ‘Eternals’ – beings who despite their ageless existence have lived for so long that they rely upon humans for ideas, form, and substance. The prize for their sailing race is therefore the titular ‘Englightment’ – the ability to know all things.
In the midst of all of this, Turlough is haunted by the deal he made with the Black Guardian in Mawdryn Undead – to kill the Doctor. The Doctor meanwhile is suspicious that a fellow racer is resorting to sabotage to ensure that they are successful, a suspicion proven well founded when it is discovered that the malevolent Captain Wrack is in league with the Black Guardian! The story, and indeed the trilogy comes to a thrilling crescendo, as the Doctor and Turlough find themselves at Wrack’s mercy, with Wrack seemingly about to win the race and claim her prize.
Much of what makes this adventure enjoyable stems from the meeting of space-era technology and the classical setting of an Edwardian sailing vessel. It is also a deeply haunting adventure, and the role the Doctor plays to both Tegan and Turlough could have been lifted from a contemporary season of Doctor Who, as Tegan wrestles with the Eternals incapacity to fathom human emotions such as love, and Turlough agonises over freedom, choice, and consequences. All the while, the race between the Eternal’s ships ensures that the plot proceeds at a strong and intriguing pace!
I did not expect to enjoy this adventure as much as I did when I rewatched the VHS adventures at university. But Englightement was a superb and fitting end to the Black Guardian Trilogy, displaying Peter Davison’s Doctor at level only paralleled by his incredible swansong in The Caves of Androzani. Clever without confusing, human without being cheesy, and able to sensitively investigate some of life’s biggest questions, it is a superb piece of television, never mind a superb episode of Doctor Who!
Next Time: You’re caught in a classic space time paradox! You did it yourselves!